PLAYBILL: Ma-Yi’s New Season to Open With Lloyd Suh’s The Chinese Lady

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Shannon Tyo in The Chinese Lady at Barrington Stage Company /photo Eloy Garcia

For its 2018–2019 season, Ma-Yi Theater Company has teamed up with Barrington Stage Company to co-present Lloyd Suh’s The Chinese Lady. The play, which is based on the true story of America’s first female Chinese immigrant who was subsequently made a carnival attraction, will wrap up its world-premiere engagement at BSC August 11 before transferring Off-Broadway this fall.The Chinese Lady will run in repertory at Theatre Row with Ma-Yi’s production of Sesar, by Orlando Pabotoy. The Chinese Lady will be directed by the company’s producing artistic director, Ralph B. Peña, who directed the original engagement. Shannon Tyo (Bright Half Life) and Daniel K. Isaac (Billions) will reprise their roles; performances will run November 7–November 18.
 Obie_Awards_2018_20_HR.jpg Ralph B. Peña Joseph Marzullo/WENN

Ralph B. Peña, Producing Artistic Director, Ma-Yi Theater Company Obie_Awards_2018_20_HR.jpg Ralph B. Peña Joseph Marzullo/WENN

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Ma-Yi’s 2018-2019 SEASON LINEUP

THE CHINESE LADY

(November 7-18, 2018) by Lloyd Suh, directed by Ralph B. Peña, a co-production with Barrington Stage Company
Inspired by the true story of America’s first female Chinese immigrant. It is a tale of dark poetic whimsy, a piercing portrait of America as seen through the eyes of a young Chinese woman; Afong Moy reflects on life in 1834 and beyond, as she is brought to the United States from China and put on display for the American public as “The Chinese Lady.”   TICKETS

 

Sesar 

(October 20 – November 1, 2018) Written by Orlando Pabotoy, Directed by Richard Feldman, AT THEATRE ROW
After watching an excerpt of “Julius Caesar” on The Cosby Show, a 14-year Filipino boy locks himself in the only family bathroom to dive head-first into the world of ancient Rome, determined to make sense of Shakespeare’s famous tragedy. The boy’s father, a former town mayor now exiled because of his democratic beliefs, joins his son in the bathroom. Using his own political experience, a father helps his son understand Caesar’s story, and real-life lessons about power, life, and loss..   TICKETS

 

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Suicide Forest

(February 27 – March 26, 2019)  In association with The Bushwick Starr, Written by Kristine Haruna Lee, Directed by Aya Ogawa, a co-production with The Bushwick StarrIn 1990’s Japan, a salaryman desperately searches for his self-worth, while a lonely teenage girl grapples with her sexuality in a nightmarish, male-defined society. When the two find an awkward companionship in each other, they expose their darkest desires fueled by masochism and shame and must now confront life and death as the notorious Suicide Forest looms over their imagination. Performed by a Japanese heritage cast, Suicide Forest is a bilingual play that breaks through the silence and submissiveness often associated with Japanese and Japanese American identity, examining the role of community and the inner struggles of emotional, psychic and social suicide through the playwright’s lived stories and inner landscape.

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Fruiting Bodies 

(April 5 – May 9, 2019) Written by Sam Chanse, Directed by Shelley Butler
Two sisters go into the woods to find their missing father who has gotten lost on a routine mushroom hunting expedition. Deep in the forest they encounter a mysterious boy — who bears a striking resemblance to the dad’s estranged son, the sisters’ younger brother. With limited visibility, a forest that keeps turning itself around, and the interfamilial politics of race and gender, pushed to extremes, will they ever be able to find the road — or one another?

 

Ma-Yi offers business and cultural organizations and student groups the opportunity of purchasing and entire performance or group purchases of 15 or more at a discount. For more information on booking a specific performance date contact Charlie Read, Ma-Yi Communications Director at 212-971-4862 x104 or email and let us help you plan your special night at the theater.

 

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