Announcing the 2016 – 2017 Season!
We’re thrilled to feature two women playwrights in our 2016 – 2017 Season. In keeping with our commitment to produce the works generated by our playwrights, both are members of the Ma-Yi Writers Lab. Among the Dead will be Hansol’s first production in New York City. There will be plenty more, trust me, but we’re so honored she’s making her debut at Ma-Yi. Hers is a voice that every theater lover will want to hear.
We’ve loved Michi’s writing since she premiered her play Rescue Me with Ma-Yi Theater Company in 2010. Michi conjures worlds that you want to spend time in and explore. With MATT PARK IS PEER GYNT WITH THE NORWEGIAN HAPA BAND she mines Ibsen’s classic to astonishing and devastating effect.
Ralph B. Peña
Producing Artistic Director
A world-premiere play, Among the Dead by Hansol Jung; a new musical by Michi Barall, Paul Lieber, and Matt Park, PEER GYNT & THE NORWEGIAN HAPA BAND; and the special presentation of the hit play The Wong Kids in the Secret of the Space Chupacabra GO! by Lloyd Suh in Manila comprise the season to be produced by Ma-Yi Theater Company during their 2016-2017 season, it is announced by the company’s Producing Artistic Director Ralph B. Peña and Executive Director Jorge Z. Ortoll.
November will bring the world-premiere of Hansol Jung’s newest play, Among the Dead, directed by Ralph B. Peña. In Among the Dead, Ana is an ex-daughter, summoned to Korea to retrieve her suddenly dead father’s ashes. Luke is an American soldier, sent to Myanmar to survive a world war he probably shouldn’t have volunteered for. Number Four is a Korean comfort woman, camping out on a bridge in Seoul, waiting for Luke. Jesus is a bellboy. Three wars of three eras folded into one hotel room, Among the Dead is a dark comedy about a family broken apart by betrayed promises, and finding each other through spam, journals, and Jesus. Mostly Jesus.
Performances will run at HERE Arts Center, November 5 – 26th, 2016.
Hansol Jung is a playwright and director from South Korea. Plays include Cardboard Piano (Humana Festival at Actors Theatre of Louisville), No More Sad Things (co-world premiere at Sideshow Theatre, Chicago and Boise Contemporary Theatre), Wolf Play, and Wild Goose Dreams. Commissions from Playwrights Horizons, the Virginia B. Toulmin Foundation grant with Ma-Yi Theatre and a translation of Romeo and Juliet for Play On! at Oregon Shakespeare Festival. Her work has been developed at the Royal Court (London), New York Theatre Workshop, Berkeley Rep’s Ground Floor, O’Neill Conference, Sundance Theatre Lab, Lark Play Development Center, Salt Lake Acting Company, Boston Court Theatre, Bushwick Starr, Asia Society New York, and Seven Devils Playwright Conference. She is the recipient of the Rita Goldberg Playwrights’ Workshop Fellowship at the Lark, 2050 Fellowship at New York Theater Workshop, MacDowell Colony Artist Residency, and International Playwrights Residency at Royal Court (London). Her plays have received the Paul Stephen Lim Playwriting Award (Among the Dead), Honorable Mention from the 2014 Arch and Bruce Brown Playwriting Competition (Cardboard Piano), and was named 2014 finalist for the Ruby Prize (No More Sad Things). She has translated over thirty English musicals into Korean, including Evita, Dracula, Spamalot, and The 25th Annual Putnam County Spelling Bee, while working on several award winning musical theatre productions as director, lyricist and translator in Seoul, South Korea. Jung holds a Playwriting MFA from Yale School of Drama, and is a proud member of the Ma-Yi Theatre Writers Lab.
The New Year will begin with the world-premiere of PEER GYNT & THE NORWEGIAN HAPA BAND, with Music by Paul Lieber and Matt Park, Lyrics by Michi Barall, Paul Lieber, Matt Park, and Jack Tamburri Based on Peer Gynt by Henrik Ibsen.
MATT PARK IS PEER GYNT WITH THE NORWEGIAN HAPA BAND centers on Peer, a brash young man on a journey to discover his ultimate self in this rock music odyssey about risk, reinvention and going roundabout. Ma-Yi Theater Company’s remaking of Ibsen’s classic verse drama asks what it means when we sacrifice everything to be most fully ourselves. Written by Michi Barall and
Directed and Originally Conceived by Jack Tamburri. Music by Paul Lieber and Matt Park. Additional Lyrics from the translation by William and Charles Archer. Orchestrations by Chad Raines.
Michi Barall is a NYC based playwright, actor and academic. Her dance-theatre piece, Rescue Me, directed by Loy Arcenas, was produced by Ma-Yi in 2010. Other works include How We Became Nomads, a puppet spectacular about Chingis Khan; Garba Griha: Womb House; and On the Line. As an actor Michi has, among others, appeared in new plays by Julia Cho, Philip Kan Gotanda, A.R. Gurney, John Guare, Naomi Iizuka, Han Ong, Jose Rivera, Paul Rudnick, Charles Mee, Sarah Schulman, Anna Deavere Smith, Diana Son, Dough Wright and Chay Yew. A graduate of Stanford University and NYU’s Grad Acting, Michi is a graduate fellow (ABD) in Theatre/English & Comparative Literature at Columbia University.
The season will begin in September with Lloyd Sud’s play The Wong Kids in the Secret of the Space Chupacabra Go! Directed by Ralph B. Peña, Mr. Suh’s play is presented by the Cultural Center of the Philippines and Ma-Yi Theater Company in association with Tanghalang Pilipino and Philippine Airlines. The Wong Kids in the Secret of the Space Chupacabra Go! was previously mounted by Ma-Yi Theater Company and was Co-Created with Children’s Theatre Company in their 2013/14 season.
In this updated reimagination, Violet and Bruce Wong just don’t fit in with the other Earth kids. Sure, they have super powers, they’re just not very good ones. But when an evil beast called the Space Chupacabra appears, intent on universal destruction, The Wong Kids must travel to outer space in order to stop it … if they can only stop bickering. Using a mix of action-driven storytelling, puppetry, and visual magic, The Wong Kids transports its audience into the far reaches of the galaxy. Playing September 15-25, 2016 at the Cultural Center of the Philippines Tanghalang Aurelio Tolentino.
Lloyd Suh is the author of American Hwangap, The Wong Kids in the Secret of the Space Chupacabra Go!, Jesus in India, Great Wall Story, The Children of Vonderly, Masha No Home and others, produced with Ma-Yi, The Play Company, Ensemble Studio Theatre, La Mama ETC, Magic Theatre (SF), ArtsEmerson (MA), Denver Center Theatre Company, Children’s Theatre Company (MN), East West Players (LA), and internationally at the Cultural Center of the Philippines in Manila, and with PCPA in Seoul, Korea. He has received support from the NEA Arena Stage New Play Development program, the Andrew W. Mellon Launching New Plays Into the Repertoire initiative via The Lark, the New York Foundation for the Arts, the New York State Council on the Arts, Jerome Foundation, Theatre Communications Group and Dramatists Guild. His plays have been published by Samuel French, Playscripts, Smith & Kraus, Duke University Press and American Theater magazine. He is a member of Ensemble Studio Theatre and The Actors Studio, an alum of Youngblood and the Soho Rep Writer Director Lab, and from 2005-2010 served as Artistic Director of Second Generation and Co-Director of the Ma-Yi Writers Lab. He has served since 2011 as Director of Artistic Programs at The Lark.
Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA, Qui Nguyen‘s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 OBIE Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”
Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña and Executive Director Jorge Z. Ortoll.
Applications OPEN for the Writers Lab!
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Congratulations to Tony Nominated Artists who have worked with Ma-Yi!
Best Lighting Design for a Musical, Spring Awakening
Ma-Yi productions: The Romance of Magno Rubio, Rescue Me(A Postmodern Classic)
Best Lighting Design for a Musical, American Psycho
Best Lighting Design for a Play, The Humans
Ma-Yi productions: Savage Acts
Best Costume Design for a Play, Eclipsed
Ma-Yi productions: I Land, The Romance of Magno Rubio, microcriss, The Sugar House at the Edge of the Wilderness, Trial by Water
Japhy Weideman (lighting)
Best Musical, Bright Star
Ma-Yi productions: microcrisis, The Sugar House at the Edge of the Wilderness, No Foreigners Beyond This Point
Visit here to see the full list of nominees
Kimber Lee New Play Reading @ The Lark
Writers Lab member Kimber Lee will be having a reading of her new play to the yellow house as part of The Lark’s Studio Retreat Reading series from June 06 – 07, 2016.
to the yellow house
1888. Paris and Provence.
A failing artist in desperate pursuit of a new way of seeing, haunted by his past, and hoping to remake his future in the color and light of the south. At what point in an endless cycle of failures does faith and persistence become delusion and foolishness? A meditation on love, art, and not being popular.
Congratulations to Mia Katigbak, Rehana Lew Mirza, and NAATCO!
Last night The Lilly Awards honored extraordinary contributions in American Theater by women including National Asian American Theatre Company (NAATCO) Artistic Producing Director Mia Katigbak and Ma-Yi Writers Lab member Rehana Lew Mirza.
Congratulations to all of the honorees!
See photos at TheaterMania.com
NAATCO received The 2016 Ross Wetzsteon Award and Grant at the 2016 OBIE Awards last night! Congratulations to our longtime friends!
See the full list of award recipients at Playbill.com
New Partnership with NYC Center for Youth Employment
The Wong Kids in the Secret of the Space Chubacabra GO! | Photo: Dan Norman
Last week NYC First Lady Chirlane McCray announced internship partnerships with numerous companies in New York City. Over 120 companies in various industries have signed up as partners in this program. Out of the companies in the Media/Entertainment Industry, Ma-Yi Theater Company is one of the few theatre companies participating in this initiative to provide unique work experiences for young people.
During the summer, Ma-Yi Theater Company will host two young professionals interested in learning about and working in the not-for-profit theatre industry. We are thrilled for this opportunity to shape young leaders in arts administration and provide a strong foundation for their careers. Previous interns at Ma-Yi Theatre Company have found full-time employment within and beyond the theatre industry in New York City and,with the help of the Mayor’s Fund to Advance New York City and leaders, we will continue putting our interns on a path towards success.
Reading of New Play by Resident Ma-Yi Playwright
by Rehana Lew Mirza, directed by Lucie Tiberghien
Thursday May 26th at 4:00PM
Local Michigan lit prof seeks out famous Muslim-American novelist to find out if he’s an Islamophobe, a rube, or a really good lay.
@Primary Stages Studios, 307 West 38th Street, Ste 1510
RSVP by emailing email@example.com
Susan Soon He Stanton: Readings of 2 New Plays in NYC
See new work by Susan Soon He Stanton , a member of our Writers Lab, this month in New York City!
An intimate, political journey through the secret inner-workings of a boutique hotel and the diverse international of hospitality workers who serve the wealthy, wayward guests.
a part of
The Civilians R&D Group
FINDINGS, A series of new works.
By Susan Soon He Stanton
Director Sash Bischoff
Monday, May 9, 2016 at 7:30 PM
138 S. Oxford St.
in Studio G
Brooklyn, New York
A girl named Bitna, 11, lives in Murdo with her father Paul who is desert Storm Vet, a hoarder, and possibly the town’s final resident.
A part of the Fresh Ink Series at Primary Stages.
By Susan Soon He Stanton
Director Danya Taymore
Friday, May 13, 2016 at 4:00PM
Primary Stages Studios
307 West 38th Street, Suite 1510
More info: primarystages.org/freshink
New study reveals minority actors winning more roles
Washer/Dryer by Nandita Shenoy | Photo: Isaiah Tanenbaum
The Asian American Performers Action Coalition (AAPAC) released new study on diversity in New York City theatre.
During the 2014-2015 season over 30% of roles at prominent New York City theaters went to minority actors, the highest percentage recorded in the past nine years. This study does not include the current Broadway season which as been heralded as the most diverse season in history.
Read the coverage in The New York Times.
See report on Playbill.com.
Beyond Orientalism: A Manifesto for Visibility
Members of the Asian American Performers Coalition, including Labbie Nandita Shenoy, read a manifesto created by Asian Pacific American theatre artists at Beyond Orientalism: The Forum held at Fordham University on May 02, 2016.
The forum was presented by the Asian American Arts Alliance, Asian American Performers Action Coalition (AAPAC), Theatre Communications Group (TCG), Alliance for Inclusion in the Arts, and the Smithsonian Asian Pacific American Center.
View a recording of the live stream here.
See photos of the forum here.
Check out the highlights from the #MyYellowFaceStory twitter intiative here.