Hansol Jung’s Wild Goose Dreams at The Public Theater
Our Friends at The Public Theater have announced a coproduction with La Jolla Playhouse of WILD GOOSE DREAMS by Hansol Jung, a Lab Member and playwright of Ma-Yi’s recent production of AMONG THE DEAD.
Tony nominee Leigh Silverman (Violet, Chinglish, The Outer Space) directs this strikingly original play with music, about two people from two cultures forced to choose between family and freedom.
October 30 – December 9, 2018,
Martinson Hall, The Public Theater
ABOUT THE SHOW
Minsung is a “goose father,” a South Korean man whose wife and daughter have moved to America for a better life. Deeply lonely, he escapes onto the internet and meets Nanhee, a young defector forced to leave her family behind in North Korea. Amidst the endless noise of the modern world, where likes and shares have taken the place of love and touch, Minsung and Nanhee try their best to be real for each other. But after a lifetime of division and separation, is connection possible?
After its initial run in Public Studio, Hansol Jung’s fascinating and unforgettable new play WILD GOOSE DREAMS returns to The Public in a co-production with La Jolla Playhouse, where it had a critically-acclaimed run last season.Tony nominee Leigh Silverman (Violet, Chinglish, The Outer Space) directs this strikingly original play with music, about two people from two cultures forced to choose between family and freedom
“Hansol Jung’s play is smart and vivid. A rare and strange bird.” – San Diego Tribune
‘Wild Goose Dreams’ Is About Making Connections
Yunjin Kim and James Kyson in La Jolla Playhouse’s world premiere production of “Wild Goose Dreams,” by Hansol Jung, directed by Leigh Silverman, running in the Mandell Weiss Forum Sept. 5 through Oct. 1, 2017
PHOTO CREDIT: JIM CARMODY
PLAYBILL: Ma-Yi’s New Season to Open With Lloyd Suh’s The Chinese Lady
Ma-Yi’s 2018-2019 SEASON LINEUP
(November 7-18, 2018) by Lloyd Suh, directed by Ralph B. Peña, a co-production with Barrington Stage Company
Inspired by the true story of America’s first female Chinese immigrant. It is a tale of dark poetic whimsy, a piercing portrait of America as seen through the eyes of a young Chinese woman; Afong Moy reflects on life in 1834 and beyond, as she is brought to the United States from China and put on display for the American public as “The Chinese Lady.” TICKETS
(October 20 – November 1, 2018) Written by Orlando Pabotoy, Directed by Richard Feldman, AT THEATRE ROW
After watching an excerpt of “Julius Caesar” on The Cosby Show, a 14-year Filipino boy locks himself in the only family bathroom to dive head-first into the world of ancient Rome, determined to make sense of Shakespeare’s famous tragedy. The boy’s father, a former town mayor now exiled because of his democratic beliefs, joins his son in the bathroom. Using his own political experience, a father helps his son understand Caesar’s story, and real-life lessons about power, life, and loss.. TICKETS
(February 27 – March 26, 2019) In association with The Bushwick Starr, Written by Kristine Haruna Lee, Directed by Aya Ogawa, a co-production with The Bushwick StarrIn 1990’s Japan, a salaryman desperately searches for his self-worth, while a lonely teenage girl grapples with her sexuality in a nightmarish, male-defined society. When the two find an awkward companionship in each other, they expose their darkest desires fueled by masochism and shame and must now confront life and death as the notorious Suicide Forest looms over their imagination. Performed by a Japanese heritage cast, Suicide Forest is a bilingual play that breaks through the silence and submissiveness often associated with Japanese and Japanese American identity, examining the role of community and the inner struggles of emotional, psychic and social suicide through the playwright’s lived stories and inner landscape.
(April 5 – May 9, 2019) Written by Sam Chanse, Directed by Shelley Butler
Two sisters go into the woods to find their missing father who has gotten lost on a routine mushroom hunting expedition. Deep in the forest they encounter a mysterious boy — who bears a striking resemblance to the dad’s estranged son, the sisters’ younger brother. With limited visibility, a forest that keeps turning itself around, and the interfamilial politics of race and gender, pushed to extremes, will they ever be able to find the road — or one another?
The Bushwick Starr Teams with Ma-Yi to Present “SUICIDE FOREST” in 2019
Photo: Sasha Arutynova
Ma-Yi is pleased to be associated with the production of SUICIDE FOREST previewing February 26, 2019.
Written by Kristine Haruna Lee
Directed by Aya Ogawa
Presented by The Bushwick Starr in association with Ma-Yi Theater Company
Suicide Forest is a bilingual nightmare play excavating the Japanese-American consciousness and its looming relationship with sex, suicide, and identity. In 1990’s Japan, a teenage girl grapples with her sexuality in a nightmarish, male-defined society as a salaryman desperately tries to escape his masochistic psyche. Both are clawing for their self-worth. When their two journeys collide, they expose their darkest desires fueled by shame as they now confront life and death with the notorious Suicide Forest looming over their imagination. Performed by a Japanese heritage cast, Suicide Forest breaks through the silence and submissiveness often associated with Japanese and Japanese American identity, examining the role of community and the inner struggles of emotional, psychic and social suicide through the playwright’s lived stories and inner landscape.
Scenic Design by Jian Jung
Lighting and Video Design by Jeanette Oi-Suk Yew
Sound Design by Fan Zhang
Music Composition by Jen Goma
Costume Design by Alice Tavener
Featuring Yuki Kawahisa, Aoi Lee, Kristine Haruna Lee, and others
SUICIDE FOREST – at the base of Mt. Fuji in Japan.
SUICIDE FOREST – at the base of Mt. Fuji in Japan.
Aokigahara is a forest located northwest of Mount Fuji, stretching from Kawaguchiko town to Narizawa village, Yamanashi Prefecture. The age of this forest is estimated to be about 1200 years. This forest is known as a popular suicide spot in Japan. The New York Times
Called “the perfect place to die,” the Aokigahara forest in Japan has the unfortunate distinction of being the world’s second most popular place to take one’s life. (The first is the Golden Gate Bridge.) Since the 1950s, Japanese businessmen have wandered in, and at least 500 of them haven’t wandered out, at an increasing rate of between 10 and 30 per year. ATLAS OBSCURA
See Labbie Nandita Shenoy’s BABY CAMP, Sunday August 5th at The Tank
THIS SUNDAY August 5th at 4 PM, attend a Free Reading (one drink minimum) of Ma-Yi Writers Lab Member Nandita Shenoy‘s Baby Camp, a new play at The Tank, Directed by Bonnie Gabel, “Join us at 3:45pm to drink and mingle.”
Part of The Brooklyn Generator‘s project to bring actors and directors to the table to create brand new full-length plays in less than 30 days, Nandita is August’s playwright of the month.
Location: The Tank 312 West 36th St. NYC
SUMMER LABBIE UPDATES 2018
The 20th annual event gave playwrights venue to fine-tune works at The Armory, along with Meghan Brown, Emily Feldman and Matthew Paul Olmos. JAW Festival was spurred on by a partnership with the New York Theater Workshop and eventually plays became part of the regular Portland Center Stage lineup. The Festival BIG WEEKEND took place Friday through Sunday, July 27-29, at The Armory.
more from From DramaWatch Weekly: time to JAW:
“And in a small bit of research into this year’s playwrights, I did come across this simple exchange that I liked from an interview Clarence Coo did with Ma-Yi Theatre, where his JAW submission Birds of Empathy previously was workshopped in 2015:”
“Why do you write plays?
Clarence Coo: To increase the amount of empathy in the world.”
Labbie Damon Chua‘s play THE EMPEROR’S NIGHTINGALE is part of
PANASIAN REPERTORY’s new season announcements.
“Launching our new Theatre for Young Audiences (TYA) Initiative
and reaching out to the younger generation”
Clarence is a winner of 2017 The Whiting Award, established by the Whiting Foundation in 1985, which bestow $50,000 on emerging writers, based on the criteria of early-career achievement and the promise of superior literary work to come.
Kyoung Park’s Pillow Talk will be featured at CONFESTS, CAATA’s Consortium of Asian-American Theaters and Artists “Radical Acts Festival” in Victory Gardens in Chicago. Read this THEATER FEATURE INTERVIEW ‘Pillowtalk’ a love story for post-marriage equality world by Catey Sullivan.
Following a successful New York City World Premiere this January, which received a rave review from the New York Times, PILLOWTALK will tour to Chicago and perform on Friday, Aug. 17th and Saturday, Aug. 18th at 8pm.
MIKE LEW AND REHANA LEW MIRZA
Ma-Yi’s Melon Funded Resident Playwrights Mike Lew and Rehana Lew Mirza were awarded playwrights in residence at La Jolla Playhouse this season. Even before the recent closing of Ma-Yi’s highly acclaimed production of TEENAGE DICK at The Public Theater, the couple left to work on the trilogy “The Colonialism Project” (co-commissioned by the theater), as well as a new musical called “Bhangin’ It.”
“’The Colonialism Project’ is an ambitious time-spanning trilogy about colonialism and its aftermath. Through three interconnected full-length plays that together comprise an epic evening of theater, this work seeks to trace the scars of colonialism across nations and centuries, from British Raj in India, to plantation labor in the Caribbean, to the ripple effects of colonialism in America today.” The pair’s musical project, “B hangin’ It,” has a book by Mirza and Lew, with music and lyrics by Sam Willmott.
Rehana was recently selected for the 2018 Johnny Mercer Writers Colony At Goodspeed where a total of 38 established and emerging composers, lyricists, and librettists converged on the Goodspeed campus from mid-January through mid-February 2018 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals.
Rehana’s play, “Ladybits“, about an aspiring comedian who finds solace within a group of other female comedians feeling marginalized in an industry-and world-dominated by men, was part of Local Theater Company‘s Boulder New Play Festival April 20-22, 2018.
watch the video: by HOWLROUND : Rehana Lew Mirza and Mike Lew at Ma Yi Theater Company, New York, NY — National Playwright Residency
Atlantic Theater Company announced Ma-Yi Writers Lab Member Carla Ching’s play NOMAD MOTEL was commissioned through the Virginia B. Toulmin Foundation and will play May 22 – May 23, 2019 at The Atlantic Theater Company “In the not-so-sunny side of California, Alix bounces between motel rooms, taking care of her brothers for her mostly MIA mother. Her classmate Mason is a budding songwriter trying to keep off the radar of his absent father in Hong Kong. Together, they must learn to scrape by without giving up their dreams. “
On television, Carla has written on USA’s Graceland, AMC’s Fear the Walking Dead and is currently writing on Amazon’s I Love Dick.
Both Carla and Labbie, Kimber Lee were chosen to participate in Summer Residency (Ground Floor) Lab at Berkeley to work on projects in June 2018. Artists are selected based on a combination of existing relationships with Berkeley Rep and an application process. Interaction with other artists, staff, board and, when appropriate, the public are highly encouraged to identify where the project is in its development path, and to move it to the next stage, whatever that stage may be.
Lab Member Jon Kern’s play BROKEN, directed by Carolyn Cantor, played at The Cape Cod Theater Project in late July.
“There’s a lot scientist Davis Musler, PhD, would like to change about his college-age daughter Amée. Foremost, he wants to restore her ability to walk. But Amée would just like to chill on her break with Dad’s grad student Olu, without feeling like a perpetual patient and science experiment, and without getting caught. BROKEN is a funny, acerbic clash over how others perceive us, how we define ourselves and how we claim our bodies.”
Jon has written for TV and theater, including THE SIMPSONS where he was a staff writer for four seasons. His plays include Modern Terrorism, or They Who Want to Kill Us and How We Learn to Love Them (Second Stage Theatre; CATF), We in Silence Hear a Whisper (Red Fern Theatre Co.), and Hate the Loser Inside (2013 Marathon at Ensemble Studio Theatre). Awards: 2010-2011 Van Lier Fellowship from New Dramatists, 2012 Laurents/Hatcher Prize
Jon is married to Labbie, Samantha Chanse, whose play, FRUITING BODIES will be part of Ma-Yi’s Mainstage 2018-2019 Season at Theater Row in April 2019, Directed by Shelley Buttler. The play recently had a June 2018 workshop at New Dramatists.
Sam’s “The Opportunities of Extinction” played at Broken Nose Theater in Milwakee and Cherry Lane Theater Mentor’s Project in NYC, and a production of her play “Trigger” with Leviathan Lab, and a residency at SPACE on Ryder Farms in 2017.
FROM THE DESK OF A REY PAMATMAT, co-director of THE MAYI WRITERS LAB
As anticipated, the Sundance Theatre Lab in Morocco was amazing, and productive. It was also completely exhausting — in the good, “I did so much work while also learning about a whole new culture/country” way.It’s a good thing I had another residency right afterward so I could recover from that one.
As announced while I was on the other side of the ocean, I will be a Working Farm resident at SPACE on Ryder Farm for summer 2018. I’m working on a whole new piece that’s all kinds of ambitious, which I hope to tell you more about when more of it is done. With all the large cast pieces I’ve done before (Out of Joint, A Spare Me, A Power Play; Or, What’s-its-name), this one breaks even more boundaries, so wish me luck.
Ma-Yi Receives NEA $15,000 Grant for Deepa Purohit’s Elyria
New York—National Endowment for the Arts Chairman Jane Chu has approved more than $80 million in grants as part of the NEA’s second major funding announcement for fiscal year 2018. Included in this category is an Arts Work Grant of $15,000 to Ma-Yi Theater Company to support the development of “Elyria,” a play with music by Ma-Yi Writers Lab member Deepa Purohit and director Stephen Brown-Fried. The Art Works category is the NEA’s largest funding category and supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and/or the strengthening of communities through the arts.
“The variety and quality of these projects speaks to the wealth of creativity and diversity in our country,” said NEA Chairman Jane Chu. “Through the work of organizations such as Ma-Yi in New York City, NEA funding invests in local communities, helping people celebrate the arts wherever they are.”